Under the Gun by Daniel Snyder You don't have to say you're sorry To look on further down the line Into the sun Too close at heaven Love is fine But you can't hold it like a... Somewhere in between my delerium and the outside world, I heard a noise. Three sharp raps. Maybe I was making too much noise, and it was the neighbors bitching again. 'Course, the only sound I heard was my own breathing, and I could feel my skull rattling every time I exhaled. Must've just been another nightmare. Like my life. There it was again. No, despite everything I was hoping for, it wasn't a hallucination. Someone was knocking at the front door, twice--no, three times. I tried to say "Fuck off!", but I didn't have the energy and my nerves were shot to the fire. Plus, I had my cheek on the kitchen table, so I couldn't ennunciate for shit. My yell came off as a rather loud, unintelligible whine. In response, there was an explosion from the front hallway. I sat bolt upright, screaming with pain at the volume and timbre of the noise. Then, as my yowl became a coherent "Jezus Kryst, what the fuck was that?" I identified what it had been. It wasn't an explosion: someone had simply knocked the door clean off its hinges, and it had fallen flat onto the sheet rock floor. Which meant, I realized, that she was back in my life again. -- Two worlds apart, two together Into that goodnight kiss away One takes the hard, one the other Kiss away "Sorry, I thought I heard you screaming. What am I supposed to think?" Not that much had changed in the time since we had broken up. Same squid lips, same black hair, same clothes--white jeans and a black turtleneck, this time with a jacket for the weather. After she left us--what had been our band--she had done a few bits before going solo in some bar somewhere. It was the first time in months that our paths had crossed...or, rather, that she had let them cross. I slumped a little in my seat, letting out a sigh. I finished it with a chuckle and resumed my proper posture. "Since you're here, might as well have a seat. There's a chair right there." "Thanks." Alita picked her way across a few piles of stuff that some idiot (me) had strewn all across the floor. She took a glance at the various bottles, drugs and paraphrenalia I had spread across the table. "You shouldn't be doing that stuff." "There's a lot of stuff I'm doing that I shouldn't be doing, but that I am doing," I said, marvelling at my wit. I poured myself a shotglass full of something--I'm not sure I had ever known what it was--then instead took a drink straight out of the bottle. Alita grabbed my wrist and slammed it onto the table, not only causing me a hell of a lot of pain but forcing me to drop the bottle. It shattered on the floor, playing a single beautiful note as the glass and liquid scattered across the ground. I glared at her. "Bitch, what the fuck'd'you do that for?" "I am not going to let you kill yourself," she snarled. "Yeah?" I jerked my arm, and after two tries she let me yank my wrist free. By that point I didn't feel like being mad anymore, I just wanted her to go away. "Wul, why not?" " Nobody deserves to die like this." She waited a moment for it to sink in before she repeated, "Nobody." I didn't look at her. I looked at the table leg. It didn't show up after six months of hanging around with other bands, trying to get you shows you shouldn't have gotten, not caring if there wasn't a single other person in your fan club, but still not playing with you. It just stayed holding up the table. Finally, I forced myself to ask, "What're you doing here?" "I think you know why I'm here." "It ain't the same thing." -- Do you feel your head is full of thunder? Questions never end? Empty nights alone? No wonder It all comes back again. "Well, that was a fucking brilliant show, fucking amazing." Somewhere behind me there was a guy sweeping with a push broom. Every once in a while he'd stop pushing and grab a hand wet-dry vacuum. He'd slurp something up, then go back to pusing the broom. I knew that most of what he'd be getting was beer, but I felt like he was vacuuming my vomit up, over and over again, just to make an asshole out of me. How I had managed to time the purge so that the house and stage lights were down was beyond me. Across the table from me, Pete kept pacing. "You show up drunk out of your mind, you make it through the whole set without staying on key for more than a bar and a half--hell, I think you made up a new key in there, we'll call it 'H'--you blow your lunch from whatever kind of shit you've been doing, and then as soon as you get back stage you pick a fight with not only everyone in the band, but the entire tech crew. That has got to be either art or the fucking stupidest shit I've ever seen, and I can tell you what the smart money's on." At that point in the evening, Pete was still our manager. Someone's manager. I was counting the minutes until the sacks and walkouts began. It all seemed so clear, so clear that I couldn't really grasp what it all meant. Maybe it wasn't all my fault I thought. Maybe I'm just caught in between a hell of a lot of cheap fights, and people were picking on me because I'm an easy target. Then, I flashed back to Avid's synthar solo. I stepped away from the mike for a moment to get a breath of air, and when I raised my head again every single person in the audience was floating off in a different direction. I had screamed bloody murder until it stopped, then tried to make it look like part of the act. The whole fucking thing bubbled up at once, and I slammed my head against the table to give myself something physical to take the place of guilt. From behind me came Pete's voice: "Here, let me give you a hand with that." I felt his hands running through my hair, grabbing great fistfulls of it and wadding it between his fingers. I screamed, partly because I knew exactly what was about to happen to my face, partly because I wanted the relief that the pain and the ugliness of the blood would bring. -- Are you living for love? Are you living for love? When the road gets too tough Is your love strong enough? "He's in the hospital, recovering. We picked him up, on battery and substance charges." "You and your death squad goon friends." I ran the terry cloth across my face, then looked down at it. There was a little blood, I had torn a few scabs open. The soap stung my eyes. I rinsed out the cloth and swabbed my face again. "So why's he in the hospital?" "It was his own damn fault." Alita pressed a towel into my hand. "We just wanted to talk, but he started getting violent. So we had to fight back, not to defend ourselves or anything, but 'cause we're hunter-warriors. We've got reputations to hold." "And what happened?" "Someone boxed his ears. Eardrums ruptured. He'll be able to hear, he can afford a pair of cybernetic ears. Of course, they're not as good quality as normal ones, even if you use mostly natural parts...so that's the music business for him." I laughed. "Alita, you've got a strange sense of humor." "Just doing my duty," she replied. -- Are you living for love? Are you living for love? I've been under the gun I've lost and I've 1...2...3... Suddenly, everything was about touch. I stuck out one hand, and I could feel the smooth cement of the building. I felt the bandanna on my face becoming wet and warm and heavy with my blood. Whenever I pressed too hard, the pain came back, and my entire face tingled, tragically alive. I tilted my head back and could feel a light mist sprinkling half my face, my hand. It dripped into my matted hair. I don't remember how far I walked, it was half a block at the most. My eyes were closed, anyway, so I couldn't find anything even if I had been looking. It wasn't that I wanted to stop, it wasn't a conscious decision. It was simply the way things were going to be. I plopped down onto what felt like a pile of bagged trash and lay there, feeling the world going on around me and my own worthlessness in it. Maybe I blacked out, I can't remember. At some point, I heard low voices from somewhere nearby. Someone was walking towards me, a small group of people. The footfalls sounded vaguely familiar. I let out a loud groan, it was all that I could do. I couldn't figure out what was happening for a moment. Then a voice came from up above me: "Oh, fuck ." "Is that who I think it is?" "Yeah. That's Lee." "Well, c'mon, then, leave him." "No." I felt someone's hands pulling the bandanna off my face. Avid spoke again. "Lee, can you hear me?" "Ung..." "Just leave the asshole, Avid." Tamrin's voice came from behind her. "That shithead doesn't even deserve to live, let's go. The others aren't even waiting for us." "Lee," Avid said, "I'm going to call an ambulence. Don't move around, your face is cut but you're in pretty good shape. They'll be here in a few minutes." I worked some spit up into my mouth and whispered, "Don't go." "I've got to go, Lee, I need..." "You don't fucking have to give him an excuse." Tamrin walked up to us. I could smell him, the smell of his body sweat and aftershave, over all the other odors in the alleyway. "I don't give what you do with the rest of your life, but I'm not in it, and Avid's not in it, and Drew's not in it, and NOBODY'S in it 'cause the band's gone and you don't have shit. You're fucking bleeding and you'd better hope that ambulance gets over here 'cause it's a long fucking walk to the hospital. C'mon." And with that he left. Avid lingered around for a moment longer before she said, "There's a phone down the block, I'd better make the call." I was alone in the alley. -- Forget the many steps to heaven It never happened and it ain't so hard Happiness is a loaded weapon And a short cut is better by far I had both hands on the mug of coffee. It was cold and it was strong, I could almost count the grounds floating on the surface. I drank it in one shot. It tasted like hell, but it inched me a little more alert. I gazed back down at the table, deliberately not looking at Alita. "I need somebody. I need an audience, or a friend, or a lover, or someone. I need someone to sing to and play the keyboard for and just plain be around. I get lonely, and I get scared, and I try and hide somewhere, but the loneliness is like the air I breathe, I can't get away from it, it's just there." "Yeah," Alita said, softly. "So I play, or I party, or I drink, and the loneliness is there, just waiting for me. If I look for it, then it's already won...but I can't think about it, or else I'm going to look for it." I shook my head. "That's sick." I turned in my chair and looked as best as my heart would let me at her. "Alita...I'm asking you, as my friend, and former bandmate...I'm in trouble. I don't know what to do. I don't even know what all's wrong with me, and I feel...like I need to change, but I just don't know how. What can I do?" She thought for a minute before she said, "If you're sick, you need to see a doctor. You could make an appointment with a doctor, tell him what you've been going through, and then see if you can get yourself better." I goggled. "That's it?" She shrugged. "People are tough. Sometimes all you need is a little repair." She jumped down off the kitchen counter. "I know a couple of good medics. if you've got bus change we could get over in time for an afternoon appointment." I looked at her there, smiling happily at me. I wondered what all had been going through her mind this morning. I had bugged her about why she hadn't played with us--with me--in all those many days. Right there, I decided to give it up, and let her tell me if she wanted to. "OK," I said. Without further ado, I grabbed a large garbage bag and dumped all the pills, bottles and needles in the kitchen into it. "We gotta swing by the dumpster, I've got to take out some trash." -- Get ahead Go figure Go ahead, pull the trigger Evrything UNDER THE GUN -- Copyright 1997 Daniel Snyder. Permission granted to distribute in any digital/binary/e-mail form; however, any physical reproduction is strictly prohibited. Based on characters created by Yukito Kishiro. Any resemblances to persons living or dead is purely coincidental. Lyrics from "Under the Gun" by The Sisters of Mercy, lyrics by Andrew Eldritch, music by Hughes/Seeman/Eldritch. Copyright 1993 Warner Music UK Ltd.